These LUTs are not designed to convert your footage out of log, so you will need to set the camera to do this for you. If you are shooting in a log color space on your camera, be sure to set your output signal (going to the monitor) to Rec 709. cube format), you can also load the LUTs directly onto the camera to achieve the same results. If you have a camera that supports custom LUTs (in. Simply load the LUTs onto your monitor and toggle them on and off to preview each look. cube files, making them compatible with virtually any professional grade monitor. The LUTs in this pack all come as industry standard. In total there are 8 LUTs in this free pack: I designed these LUTs to be as versatile as possible, which is why the set includes a mixed bag of commonly used looks. Rather than having to vaguely describe what your final image will look like after being color corrected, you can show them right there in real time. It might also inform additional creative decisions pertaining to lighting ratios, color temperatures, and more.įor anyone doing commercial work, monitoring LUTs are also a great tool to use with clients. You can of course use custom monitoring LUTs for a wide variety of purposes, but I like using them to quickly audition looks on the day.īy testing a select few creative looks against any given camera/lighting setup, I get a much clearer picture of what might be possible (or not) later on in the grade. My favorite function of the monitor is its ability to load custom LUTs to preview different looks on set. Recently I picked up an Atomos Shinobi 5.2″ monitor, which I’ve been super impressed with so far. Looking for some free color grading LUTs to load into your monitor for an on-set preview? I have you covered with this free pack of 8 professional monitoring LUTs.
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